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Editing & Mentorship

BFA, MFA WRITING
 

CREATIVE EDITING & MENTORSHIP

Hello! I'm regularly available as a creative editor and mentor to literary writers, or writers aiming for a literary standard. I love serving writers at any stage of their career—from published writers, to novices, to intermediate writers, and writers with mentoring grants (from Canada Council, TWUC, League of Canadian Poets, etc).

 

I'm willing to consider projects of any length and in any genre, including poetry, fiction, creative non-fiction and memoir, stage and screen writing, genre fiction, young adult fiction and poetry, writing for children/pre-teens, as well as the graphic novel, or any hybrid form. I'm particularly adept at working with genre blends and writing that doesn't fit traditional frames, and also at getting spoken word forms onto the literary page.

 

LET'S WORK TOGETHER!

With most projects I offer a free 30 min Zoom and a free page of edited work to see if we're a good fit. It goes like this: click on the button below and tell me briefly about your work and goals. I'll email you with few questions and ask for a sample of your work. You  send me the sample, I edit it, send it back to you, and then we talk about the edit and about your writing needs via Zoom. And if we decide we want to work together, we set out from there. (If it suits you, I can also work on: Skype, What'sApp, Facebook, telephone)

 

 

 

 

MANUSCRIPT EDITING:

It is my pleasure to offer creative editorial assistance on manuscripts-in-progress or completed manuscripts by writers with a book-publishing history. Full Manuscript Evaluations include nuanced creative feedback on everything from the working shape of a manuscript to minutia at a line level—I can also assist with front and back pages, and cover copy, industry letters and bios, etc. 

OTHER EDITING

In addition to full manuscripts, I frequently edit short stories, poems, etc., in small batches, before they've entered manuscripthood. My specialties are poetry, fiction, and any work that breaks from traditional shapes, but I've edited children's books, graphic novels... I consider all genres, but only accept work that I feel I can serve beautifully.

MENTORSHIPS for UNPUBLISHED WRITERS:

I offer a mentorship series for unpublished writers of any genre. This tried and tested series is comprised of careful editorial feedback, personal zoom calls, and pre-written "Revision Helpers" that offer whatever you might be missing in terms of craft—this series is aimed to raise your work to a literary standard, so it will involve ample revision work on your part. I also suggest publications and contests to which you might send your works-in-progress, as well as helping you write industry-standard bios, essential accompanying letters, etc.

THE GENRE JUMP:

If you're a professional writer looking to skip across to another genre, the other genre being poetry or fiction, I offer a mentorship series comprised of nuanced editorial feedback, personal zoom calls. I also send along pre-written "Revision Helpers" that are aimed at your smooth transition into a new genre, and that are also tailored to your goals, needs, and standard of writing.

MY PROMISE:

I will treat your work with care and respect and honesty. I will also be thorough, clear, and genuinely helpful with my editorial feedback, and always allow your work to be what it wants to be (not try to change it into what I think it should be). Each project is unique, and each writer is unique, so I find that my approach shifts to meet the work and the writer. But my aim is always to help you publish your work at its very best.

FINANCES:

I most often price by the hour, but I can also can price by the project or by the page depending on the genre, the length, and the caliber of the work. I'm usually working at $50-60 per hour. You'll find that you will generally receive more from me per hour than you expect.

I accept e-transfer, PayPal, check, postal money orders, and cash; you may also pay by credit card via my website. I offer itemized invoices with time-keeping technology, and I can work with your grant/taxation requirements.

WHAT I DON'T DO:

I don't accept copy editing, proof reading, or academic work.

I don't take on work unless I resonate with it enough to serve it beautifully.

I don't usually offer grant writing.

With all that said, I HOPE TO HEAR FROM YOU SOON!

Testimonials

"Kyeren has a deft editorial hand. Her comments are clear, constructive and have definitely advanced my work. I'm grateful for her support and for the challenges she has offered, and would be delighted with the opportunity to work with her again."

Susan Wismer

(Poet, Ontario)

"Kyeren, THANK YOU!!!!!! Oh my gawd, I feel like I’ve discovered [MFA adviser], reincarnate. I hope I can send you everything for this book I’m working on!! EVERYTHING."

Susan Sanford Blades

(Author of Fake It So Real)

"I just read through all of your notes and edits. All of the editing was really clear and understandable and so incredibly helpful....

Boy am I glad I hired you!!!"

Tamara Bond

(Visual Artist, writing a graphic novel)

"I appreciate Kyeren's willingness to let a poem be what it wants to be. She offers generous help and expert criticism, and sincerely wants everyone to succeed-- there was so much growth!"

Bonnie: Poetry Workshop Student

(University of Victoria)

"Kyeren provides methodologies, experience, safety, professionalism, inspiration, and hands-on support/critique--she's open, creative and sensitive, and seems to be able to tackle anything. She is divine!"

Renee: Fiction Workshop Student

(University of Victoria)

"I liked the way you found teaching moments in all the stories, pulling out what was good so we could all learn from that, and also showing what needed work, but in a positive way. Thank you for being respectful of all the work-- you were honest and open, and I appreciated that."

Michael: Creative Non-fiction Workshop Student

(University of Victoria)

Piles of Books

Read a brief Q&A about my approach

to screening poems for The Malahat Review:

MY EDITING JOURNEY

THE MALAHAT REVIEW

I was fortunate to spend several years on the board of the iconic national literary perical, The Malahat Review, first as an intern learning the ropes, and then as a poetry board member. I got to hang out in the office screening envelopes from writers around the globe, often the first one reading new work from renowned people. What could be more fun!? I took special care not to let any promising emerging talent slip past; that was particularly important to me. Editing is a bit like that, I'm often the first to read someone's work, and I treat it like the envelopes at The Malahat Review, with great care and privilege.

 

I also screened and shortlisted work for the journal's three yearly poetry contests, including the famous Long Poem Prize, and once screened through a poem that went on to win the Open Season Awards (which was very exciting!) Sometimes I see work from former students or from clients enter the world through journals, or books of their own, and that's a very magical thing.

 

Note: before I read and edited for The Malahat Review, my work was shortlisted for all three of their poetry awards, and also published in issue 171.

THE REWARDS OF MY BFA

I first fell in love with the editing process during my undergraduate degree in Writing; I sincerely looked forward to editing peer fiction and poetry every week for five years. My BFA ended with a wonderful surprise--I earned the Victoria Medal in Fine Arts, which is awarded to the highest GPA in the Faculty of Fine Arts. Grades given in the Department of Writing weren't based solely on creative work--we had to advance as editors too. We were taught to edit, we practiced weekly, and we were graded on our editing abilities. In many classes we were also graded by our peers, and this weighed in on our final grades. It helped that I loved editing, but I also found that I had a talent for it.

THE EDITING TRENCHES OF MY MFA

My editing skills were honed into a tight craft while completing my MFA. I was offered the role of Editing/Marking Coordinator for all of the  first year writing work in five genres: poetry, fiction, creative non-fiction, play writing and screen writing. I managed a team of editors, read every piece of first year work (many, many hundreds), and edited a large chunk of them. I worked closely with professors in five genres to build editing and grading criteria, and calibrated all of the grades that came in so that the system was consistent (and so that no talented writers slipped through the cracks!)  In my second year I was given the work of teaching other graduate students to edit and grade (on top of the aforementioned work). I continued in this role after earning my MFA, and personally edited over 700 pieces of student writing (I read and calibrated the grades for, and often added edits to, many hundreds more). During this editing internship of sorts, I become phenomenally adept at swiftly and thoroughly editing creative writing in any genre, while cherishing each individual voice. 

I also worked at the university as a sessional instructor, a teaching assistant, and a substitute instructor at the 2nd, 3rd and 4th year levels. And I created and taught a Spoken Word class, incorporating writing, workshop editing, and performance in four genres. In particular, I delighted in working one-on-one with students during office hours, watching their writing blossom and mature. Some of my most cherished memories include seeing student work I had a hand in nurturing go onto earn publication.

NOWADAYS...

...I do what I described at the top of this page: I work as an editor/mentor for writers, and I LOVE it. I love it when people get published, but I especially love seeing people fall in love with their own work and lift it to levels they didn't know they could reach.

I hope I get to work with YOU!

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medal 1.jpg

This is my Victoria Medal... I'm pretty proud of if, but it just sits completely unseen in a box on my bookshelf, so I thought I'd add it to my Editing & Mentorship page, because I do mention it briefly, and if nothing else it proves that I have a strong work ethic...or perhaps an out-of-balance work ethic. Well.